Review. Fim por Nomear by Sandra Santos. Self-published. 116 pages.
DOI:
https://doi.org/10.35588/ayr.v8i1.8004Keywords:
Sandra Santos, poetry, biographical aesthetics, duplicity, open meaningAbstract
This review examines the relationship between authorship and the artistic element. Based on a study of the poems in this collection, it is undeniable that there is a reflection between author and work, and consequently, a continuous driving force of variation. These elements are also inherent in the play on ambiguity; therefore, the condition of naming—in life and art—remains perpetually open. In light of the author’s biographical background, this review explores her work, particularly its underlying layers. While these layers reveal a unity in their abstraction, they also rekindle literary memory and the experience of the self as tradition through their multiple meanings.
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2026-03-05Published
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Copyright (c) 2026 Ana Claudia Rodrigues
This work is licensed under a Creative Commons Attribution 4.0 International License.
