Desire, female sexuality, and agency in Sabrina Carpenter’s lyrics: a corpus linguistics analysis
DOI:
https://doi.org/10.35588/ayr.v8i1.7935Keywords:
female desire, corpus linguistics, pop music, sexuality, Sabrina CarpenterAbstract
This study examines how desire, female sexuality, and agency are discursively constructed in the lyrics of Sabrina Carpenter’s three most recent studio albums (2022–2025) through a corpus linguistics approach. Drawing on a corpus of 46 songs analyzed with AntConc, the study combines lexical frequency analysis, KWIC concordances, and collocational patterns to identify recurring linguistic strategies associated with the expression of desire. The findings reveal that Carpenter constructs female desire through a lexicon characterized by humor, irony, intimacy, and self-awareness, while recurrent terms such as love, want, need, hot, and bed appear in contexts that foreground agency, boundary-setting, and active participation in romantic and sexual relationships. The analysis further suggests that these representations reflect a postfeminist sensibility in which desire is expressed as playful, explicit, and self-determined, while remaining embedded within broader cultural and commercial frameworks. By integrating corpus linguistics with discourse analysis, the study contributes empirical evidence to research on gender, sexuality, and popular music. It also demonstrates the value of corpus-assisted approaches for examining contemporary cultural texts and highlights the relevance of Sabrina Carpenter’s work as a site for exploring current discourses of femininity, sexuality, and agency.
Downloads
References
Aswad, J. (2024, 23 de agosto). Sabrina Carpenter Teases and Torments on the Masterful — and Devilishly NSFW — ‘Short n’ Sweet’: Album Review. Variety. https://variety.com/2024/music/reviews/sabrina-carpenter-nsfw-short-n-sweet- album-review-1236116379/
Baker, P. (2006). Using Corpora in Discourse Analysis. Continuum.
Barman, M., Awekar, A., and Kothari, S. (July 21-25, 2019). Decoding the Style and Bias of Song Lyrics [Conference]. Proceedings of the 42nd international ACM SIGIR conference on research and development in information retrieval, 1165-1168. Paris, France. https://doi.org/10.1145/3331184.3331363
Betti, L., Abrate, C., and Kaltenbrunner, A. (2023). Large Scale Analysis of Gender Bias and Sexism in Song Lyrics. EPJ Data Science, 12(1).https://doi.org/10.1140/epjds/s13688-023-00384-8
Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. Routledge.
Díaz, L., y Villegas, L. (2025). ¿Sexualidad en disputa? El reggaetón cantado por mujeres. Anthropía, (22), 45–61. https://revistas.pucp.edu.pe/index.php/anthropia/article/view/32128
D'Souza, S. (2025, 29 de agosto). Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show. The Guardian. https://www.theguardian.com/music/2025/aug/29/sabrina-carpenter-mans-best-friend-review
Dyer, R. (1998). Stars. British Film Institute.
Flowerdew, L. (2005). An Integration of Corpus-Based and Genre-Based Approaches to Text Analysis in EAP/ESP: Countering Criticisms against Corpus-Based Methodologies. English for Specific Purposes, 24, 321-332. https://doi.org/10.1016/j.esp.2004.09.002
Gill, R. (2007). Postfeminist Media Culture: Elements of a Sensibility. European Journal of Cultural Studies, 10(2), 147–166. https://doi.org/10.1177/1367549407075898
Glago, R. (2021). Defining the Diva: Celebrity, Feminism & Performance in Popular Culture [Master Thesis, Rhode Island School of Design]. https://digitalcommons.risd.edu/masterstheses/810
Glynn, P. (2025, 29 de agosto). Sabrina Carpenter album 'not for pearl clutchers'. BBC. https://www.bbc.com/news/articles/cqxgnr12er1o
Green, W. (2025, 3 de septiembre). Albums:Man’s Best Friend,Sabrina Carpenter. Pitchfork.https://pitchfork.com/reviews/albums/sabrina-carpenter-mans-best-friend/
Guerrero, M. (2024, 21 de agosto). Sabrina Carpenter: las canciones esenciales para entender su reinado pop. Rolling Stone en Español. https://es.rollingstone.com/sabrina-carpenter-las-canciones-esenciales-para-entender-su-reinado-pop/
Hess, L. (2022, 3 de agosto). Sabrina Carpenter on the Radical Honesty of Her New Album, Emails I Can’t Send. Vogue. https://www.vogue.com/article/sabrina-carpenter-emails-i-cant-send-interview
Lazar, M. (2007). Feminist Critical Discourse Analysis: Articulating a Feminist Discourse Praxis. Critical Discourse Studies, 4(2), 141-164. https://doi.org/10.1080/17405900701464816
Lipshutz, J. (2024, 23 de agosto). Sabrina Carpenter’s ‘Short n’ Sweet’: All 12 Songs Ranked. Billboard.https://www.billboard.com/lists/sabrina-carpenter-short-n-sweet-review/
López, N. (2021). De mujeres y hombres: el androcentrismo en lo ambiguo. Pragmalingüística, 29, 280-304. http://dx.doi.org/10.25267/Pragmalinguistica.2021.i29.14
Martínez Cano, S. (2017). Las divas del pop y la identidad feminista: reivindicación, contradicción y consumo cultural. Investigaciones Feministas, 8(2), 475-492. https://doi.org/10.5209/INFE.55079
Marwick, A., and boyd, d. (2011). To See and Be Seen: Celebrity Practice on Twitter. Convergence: The International Journal of Research into New Media Technologies, 17(2), 139–158. https://doi.org/10.1177/1354856510394539
Mata-Núñez, A. (2024). Representaciones de género en el videoclip actual. La imagen de las mujeres en el reguetón femenino. Zer, 29(56), 223-240. https://doi.org/10.1387/zer.25031
McEnery, T., y Hardie, A. (2012). Corpus Linguistics: Method, Theory and Practice. Cambridge University Press.
Miranda, D., Blais-Rochette, C., Vaugon, K., Osman, M. y Arias-Valenzuela, M. (2013). Towards a cultural-developmental psychology of music in adolescence. Psychology of Music, 43(2), 197–218. https://doi.org/10.1177/0305735613500700
Moreland, Q. (2024, 26 de agosto). Albums: Short n’ Sweet, Sabrina Carpenter. Pitchfork. https://pitchfork.com/reviews/albums/sabrina-carpenter-short-n-sweet/
Soler, S., y Oriola, S. (2019). Música, identidad de género y adolescencia: Orientaciones didácticas para trabajar la coeducación. Epistemus - Revista de estudios en Música, Cognición y Cultura, 7(2), 27-56. https://doi.org/10.24215/18530494e008
Viera, M. (2018). Feminismo, juventud y reggaetón: cuando las mujeres cantan y perrean. VITAM: Revista de Investigación en Humanidades, 4(3), 36-57. https://doi.org/10.35461/VITAM.V0I3.26
Whiteley, S. (2000). Women and Popular Music: Sexuality, Identity, and Subjectivity. Routledge.
Downloads
Submitted
2026-01-23Published
Issue
Section
License
Copyright (c) 2026 Ninoska Cecilia Herrera Araya

This work is licensed under a Creative Commons Attribution 4.0 International License.







